The small city at the Central Java with mysterious history, culture, art, people, and so on. Rich in nature resources and human resources that not yet many in knew the outsider. Ir. Soekarno the first President of Republic of Indonesia named Pemalang as the city that was lost.
FORUM KOMUNIKASI MASYARAKAT PEMALANG - Peduli Pemalang (The forum for communication of Pemalang Peoples - cared about Pemalang)
Description
This forum was the forum for discussions that became bridge and became the forum for the Pemalang person or that cared good that in Pemalang or in the foreign region to improve and develop the Pemalang Regency.
For the Pemalang resident who wanted to discuss rumours and the discourse, and the creative idea of building Pemalang, this forum was open for the public and did not have the age limitation, the social status, the work, academic, the race, the religion, or the descendants.
This forum more dripped cause problems for in discussions for accommodated ideas, ideas and inputs of building and repairing Pemalang. Nevertheless if being yg wanted only a bond also was invited. Discussions will be focussed to several fields like for example Agriculture, Tourism, Farming, Bussiness, Educations, Culture etc..
Hoped for by the idea, the idea, input yg was discussed could implementary to the laboratory field work. So to all wong Pemalang whos cared, presented ideas, ideas and inputs of enlivening this forum. If not we, anyone else who will care about Pemalang.
Let's together equally united to care, constructive, and improved the Pemalang Regency.
Posted in
Goverment
Posted by
Dhiemaz Prasetyoon Thursday, August 27, 2009
at
3:54 PM
The northern part of the Pemalang Regency was the plain, while the southern part took the form of mountains, with his peak of Slamet's Mountain (in the border with the Tegal Regency and the Purbalingga Regency), the highest mountain in Central Java. The biggest river was the Comal Time, that flowed into Javanese Sea (the Pemalang Tip).
The capital of this regency was on the end west sea of the regency territory, shared directly a border with the Tegal Regency. Pemalang was in the route Pantai Utara Jakarta-Semarang-Surabaya. Moreover was gotten the province road that connected Pemalang with Purbalingga. One of the famous tourist attractions in Pemalang was the Widuri Coast.
The Pemalang regency was one of the regencies in the Central Javan Province that was located in the north coast of the Javanese Island. In an astronomical manner the Pemalang Regency was located between 109°17'30 - 109°40'30 BT and 8°52'30 - 7°20'11 LS.
From Semarang (the Capital of the Central Javan Province), this Regency be at a distance approximately 135 Km to the west, or if being followed by the land vehicle took up spare time not all that 3 - 4 hours. The Pemalang regency had the area of the territory of 111,530Km², with territory limits: * one North shared a border with Javanese Sea. * one South shared a border with the Regency of Purbalingga * one East shared a border with the Pekalongan Regency. * one West shared a border with the Tegal Regency. Therefore the Pemalang Regency had the strategic position, both from the side of the trade and the government.
Therefore the Pemalang Regency had the strategic position, both from the side of the trade and the government.
The Pemalang regency had the varying topography. The northern part of the Pemalang Regency was the area of the coast with the revolving height between 1 - 5 metre above sea level. The middle was the plain that was fertile with the height 6 - 15 m. above sea level and the southern part was the plateau and pengunungan that was fertile as well as climate cool with the height 16 - 925 m. above sea level. The territory of Kabupaten Pemalang this was crossed two big rivers that is the Waluh River and the River of Comal that made most territories him were the fertile river basin.
The influence of the Mataram royal culture and the Religion of Islam was so strong towards the development of culture of the Pemalang Regency community. The assimilation of two cultures produced the Pemalang culture that was kept for generations. This could be seen in the community's Pemalang attitude through works of their culture in the form of ancients object, traditional ceremonies, the dance and art, the handicraft et cetera.
Baritan
Baritan or sea worshiped was the float procession Jolen to the middle of sea that was carried out by the fishermen as the feeling ceremony thank heavens on results of efforts to catch the fish in sea. Sedekah sea was held each year very much to Maulud, every time on Tuesday or on Friday Kliwon. Before the ceremony pelarungan, was held tirakatan together that was attended by the fishermen, the local public figure and the officials in relation to took the location in the Place of the Auctioning of the Fish. Prayer reading and songs of praise accompanied this ceremony with the intention so that the implementation of this ceremony could not run smoothly, be safe and deviate from the religious rule.
Krangkeng
This traditional art was known by the Pemalang community since three centuries set. Started from the Batavia invasion incident by the Mataram paramilitary troops. Pemalang that at that time including in the Mataram territory helped the paramilitary troops of Sultan Agung by sending soldiers terbaik him. The method of producing the strong soldier at that time was to train the young men with knowledge kanuragan an d processed heroism. His method of each exercise processed self power always was accompanied music or percussion music. The exercise activity processed self power that was accompanied music currently still is continuing to take place, in fact increasingly spread. Material that was put forward increasingly developed and was enriched by various other skill kinds like the attraction of body immunity and acrobatics skills. Processed kanuragan currently changed function to become an artistic activity and the interesting show. This the young coconut the future birth of art krangkeng.
Sintren
Sintren was the people's art that was popular enough in the territory of Karesidenan Pekalongan especially in the Pantura social circle. Sintren it seems came from the legend of Sularsih-Sulandono. Sulandono was the son ari the husband and wife's couple Joko Bahu and Ratnasari that according to the
story were the founder of the Batang City, Pekalongan and the surrounding territory. Sintren depicted the living trip and the holiness of a girl who was played by a very young girl who still was holy, not yet akil-returned and had not been touched the hands of the man. The performance sintren was preceeded by the interesting lyric attention of the spectators namely "Gunung Steam". It was following that the candidate's girl sintren that put on normal clothes was pu
t into imprisonment in the hands situation was tied. After the girl was in imprisonment, incense was then burnt now pelantun the song mengalunkan the lyric "come on Sintren" that was purp
oseful called the strength from outside. This strength that eventually will replace the candidate's fashion sintren. Further will appear a fairy's noose that put on complete greatness clothes with the sunglasses, stood elegant then dancing followed the rhythm of
the gamelan that was played.
Jaran Kepang
Horse braided or the Kuda Lumping was the traditional artistic kind that generally is known in the Central Javan community. This art was the game kind that enclosed the magical element because in the certain scene his player played the attraction that was not possible to
be carried out by human as the scene ate the fragment of glasses. From an amount of art of Jaran Kepang available in Central Java, Pemalang possibly had several surpluses took the form of the innovation like the existence of the quite unique scene where two or three players were made humankind of half of the robot who could sit or stand sculpted for hours the length. Jaran Kepang art is usually staged in the traditional party, the national public holiday ceremony or welcomed the official guest visit.
Kuntulan
This art began to be known by the Pemalang community in around early of the age 20 that is at the time of in the homeland often emerged the movement of the nationality. Pem
alang public figures at that time did not want the remainder to go along in the national struggle depths. Formed the association of the self-defence, especially pencak parried. This self-defence activity at that point always was accompanied rebana and the blow bedug as well as was carried also by prayers salawat the Prophet so as to be impressed as the artistic activity and piety.
After this activity independence that afterwards in -introduced by the name of kuntulan continued to take place and change from the struggle implement to entertainment means. This art is usually staged by the national agendas of the public holiday warning, party or welcomed the official guest. Art kuntulan appeared interesting because of combining visible self-defence steps artistic, the demonstration of the acrobatics and beauty of music rebana and bedug.
To give the motivation (the motivation) for the Pemalang Regency community in carrying out the development was appointed by the Pembangunan Motto in Regional Regulations of Kabupaten Dati II Pemalang Nomor 11 were in 1990 stated by the "Pembangunan Motto" of the "Pemalang Regency was IKHLAS" that was enacted in the Sheet of the Area of the Regency of Dati II Pemalang Nomor 6 on March 5 1991.
The motto Pemalang IKHLAS contained the meaning that all the resident of the Pemalang Regency in a sincere manner, with the clean heart for nothing and always trusted the greatness and the cheapness Allah Tuhan of the Lord as well as yielded to him (Lillahi ta'ala) in carrying out the development.
The motto Pemalang IKHLAS except for containing the understanding as the above also was the abbreviation from Indah, Komunikatif, Hijau, Lancar, Aman and Sehat Respectively words contains the meaning as follows:
INDAH Contains the meaning of the beautiful life goal, good, was valuable, was worth beauty (aesthetics/artistic) delicious was considered the eyes were felt and pervaded was born and the heart.
KOMUNIKATIF Contains the meaning of the life goal that was open, was easy to communicate, was easy to be asked to speak, was easy to be known, joined was crushed solidest in all the movements of the development
HIJAU Contains the meaning of the life goal that gemah ripah loh jinawi was full of the crop carpet that was useful for the life, green, peace and calm.
LANCAR Contains the meaning of the life goal that wanted always to take a step advanced in a stable manner, without hesitant, free from the obstacle and the pressure from who also.
AMAN Contains the meaning of the life goal that discipline was born and the heart, did not feel frightened or worried, there was no threat or the undermining, as well as created/brought about the power ward off that was strong towards all the threats, the obstacle challenge and any disturbance
SEHAT contains the meaning of the balanced life goal healthy the body, spiritual and social as well as the community that was enthusiastic high and passionate to build. Fine also mean the understanding of welfare was born and the heart for the community member all of them.
IKHLAS as the Development Motto in the development activity was the motivation (the source of the motivation) that must be penetrated and carried, both out by the person of the individual, the group and the community on the whole. Therefore also this development motto must be thought about and carry out by the government machinery in the Pemalang Regency that show in planning, the implementation and the maintenance of results of the development.
The symbol of the Pemalang Regency consisted of the symbol had the shape of Kundi-pertala the aspect of five, the Star, the symbol clamp, the vernacular name and light pedalangan (Wayang player). The five parts were compiled in such a way as the vernacular name was located around the symbol leaves with light of Blencong/pedalangan, all of it was in the forum shield. Was based on the stipulation of DPRD Gotong Royong Kabupaten Pemalang dated June 1 1968 about the determination of the Form and the Meaning of the Symbol of the Area of the Pemalang Regency, Lambang of the Area of the Regency had the special meaning.
The form of Kundi-pertala (the Pitcher from the land) had the shape of the foundation of the aspect of five, symbolised the foundation of the country's philosophy, that is Kepancasilaan. The star bersudut five was golden symbolised the people's belief the Pemalang Regency against the Lord of the Lord.
The turret was blue symbolised faith and consist the Pemalang people to the Lord Al Mighty.
Bamboo stakes symbolised heroism and the people's Pemalang military base.
The mountain (Slamet's Mountain) was a characteristic that especially for the Pemalang Regency because of Slamet's Mountain was the only mountain in Pemalang.
Mountains (the Form of the fortress or ladders) symbolised the natural situation the Pemalang area. Inside was contained by results of the forest in part glagah arjuna, teak and the pine tree as the export commodity. The horizontal line was white symbolised the limit between the flat area and mountains.
The banyan tree symbolised a care from the regional government against his people. Two flames that berpadu with bamboo stakes that were one single series symbolised heroism in maintained Earth Pertiwi from imperialism/colonialism.
The Two keris with the form that be the same the size with the tip above symbolised patriots's Pemalang military base in the history of the struggle. As well as depicted the legacy, the history of high culture. Two heirlooms (the religious teacher Sitapak and the religious teacher Simongklang) that was the same the size memancar went through one low turned above behind left bamboo stakes. Respectively the kris with the fiery red flame above with the yellow coast. This means that the Pemalang people always had fighting spirit that flared up.
The boat screen symbolised the nature rudder with the characteristics was led in the wave flow that tried overthrew struggle for life, but the screen stayed erect developed against the crashing of the wave and his roar the wind that blew tight. The boat symbolised the characteristics of the seaman. Was the glory in the ocean that was owned by the Pemalang people.
Sea waves (three) symbolised that the characteristics of the Pemalang people always advanced joined the government program to reach the just and prosperous community. The sea flow at one time calm and bergelombang when other, reflected the character of the Pemalang people that always calm and moving in the history of the struggle.
Rice and cotton symbolised the people's just and equitable prosperity. The blend from the star, rice and cotton symbolised the day in front of the Pemalang people in heading the just and prosperous community that diridhoi the Lord, was based on "Pancasila". The amount of cotton 17, fire that have 8 top and rice have 45 beans symbolised Proclamation Day on August 17 1945.
Blencong (Pedalangan Light) symbolised beauty of art and the culture especially with the motive of the skin puppet or with the motive of the Mada Elephant that at the same time was information and the spreading of the religion.
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